THE WOODGREEN MURALS
Words and photographs by Roger Elsom
Article by kind permission of Hampshire Life Magazine
 
The Woodgreen artists- Robert Baker and Edward Payne (right)   Cider pressing
 
Village team in Country Competition   The Flower Show
 
Detail showing the Goat Lady   Poachers on Castle Hill
 
Salisbury Infirmary   The Methodist Sunday School

The Hall was built in 1930-31 from funds that were raised by the local people and Vaughan Nash who had been the private secretary to Lord Asquith who was the Liberal Prime Minster at the time. He saw that there was just cause for th experiment and was aware that his friend Sir William Rotherham who was principle of the Royal College of Art and was interested in reviving the technique of painted directly on the walls of buildings and Woodgreen seemed a good opportunity and so a Carnegie Trust grant of £100 was secured in 1931 for two graduate students Robert Baker and Edward Payne to stay here and do the mural.

The theme was to be the village itself with scenes of village life and the models were to be the villagers and over 50 portraits were painted and only one appears twice, a poacher, and everyone appearing in the paintings has their name plates below.

 

The 'Flower Show 
This includes two sisters, who studied at horticultural college before the First World War, and advised on the gardens of Breamore House.

Cider Pressing
Here the press we see still exists, albeit somewhere in Oxfordshire. and there is a Christmas scene in the children's ward at

Salisbury Infirmary
A Christmas scene in the children's ward that shows a Woodgreen resident dressed as Father Christmas.

Poachers on Castle Hill
Two local poachers sit on Castle Hill surveying the view across the Avon valley.

Village Team in Country Competition
 Shows Morris dancers frolicking in a field. The dancers arc remembered for their success in a National Competition, which brought them the chance of performing in the final stages at the Albert Hall.

The goat Lady
  apple and raspberry pickers arc busy harvesting the fruit, and the goat lady leads two animals up a hill.

The landlord of the village pub stands in the doorway; the hall caretaker tends a gigantic stove that once provided heating there; a lady pours tea from a large teapot, and a farmer milks his cow.Also represented are the Scout Troop and Cricket Club;

The Methodist Sunday School
This is probably the most evocative mural in the hall and depicts the children, four of whom still live in Woodgreen. It also shows the young people in their Sunday best.Second from the left in the painting, is Hilda Harrington (now Biddlecombe) who was 7 at the time. Born in the cottage she lives in today, Hilda remembers being painted very clearly. Her mother was the Sunday school teacher at the time, which may be why she remembers it so well. Her face does not show in the painting because the artist wanted to show the back of "her very pretty bonnet

Facing the viewer on the right of the left hand group, is Irene Crook (now Anton), aged 7. Irene could not actually remember being painted, but she too was born in Woodgreen and has lived there all her life. Irene's sister, Kathleen Crook is also one of the four; she too was born in Woodgreen and has lived nowhere else. Kathleen was 8 when painted, which she remembers well, and can be seen on the extreme right in the blue beret.

The fourth boy from the left in the mural is Jim Hooper, aged 12, and another permanent fixture in Woodgreen, apart from 8 years in the navy. He served all through the war including Scapa Flow, Dunkirk and D-Day, mostly in minesweepers.

The Woodgreen Artists
Over the stage in the village hall is a mural showing the two artists themselves. Robert Baker faces the viewer with the girl he married to his right/ whilst Edward Payne, on the right, courts a local girl. Both artists became eminent in their profession. Edward Payne was a consultant on the restoration of Wells Cathedral and Robert Baker, who became a Professor at Oxford, returned to the village with his wife on retirement, and bought a cottage there.

PLEASE NOTE VIEWING OF THE MURALS MUST BE BY APPOINTMENT